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Meet the Kyoto Faculty

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Classes at the Kyoto Program are taught by faculty from local universities, the Program Director, and by a visiting Stanford Faculty-in-Residence each quarter. Local faculty teach all Stanford courses in English.

Faculty in Residence

Each quarter, one Stanford professor serves as Faculty in Residence in each of the BOSP program locations. These faculty teach classes in their own disciplines, developing courses that incorporate unique features of the local culture and environment or that provide comparative perspectives on a particular topic. View a list of current and future faculty.

Local Faculty

Mike Hugh

Mike Hugh, BOSP Kyoto Director

OSPKYOTO 5B: Independent Study in News Shaping Japan Today (1 Unit)

Dr. Mike Hugh has been director of the Stanford Program in Kyoto since 2013. A U.K. citizen, he earned a Master’s degree and a Ph.D. from Imperial College London, focusing on the intersection of markets, technologies, and policy in the environmental energy sector. Prior to joining Stanford, he held teaching and research positions at the Instituto Superior Técnico in Portugal, and at the Nagoya University of Commerce and Business in Japan, where he also served as Director of the Department of International Affairs. Besides his academic work, Dr. Hugh has held project leadership positions for the U.K. Government and the European Commission, and has been quoted on sustainability issues in broadsheet publications such as the Financial Times and the Nikkan Kogyo Shimbun. His current area of interest focuses on the energy and environmental policy challenges facing Japan’s lawmakers following the Tōhoku earthquake and Fukushima Daiichi nuclear disaster.

Yuka Kanno

BOSP faculty Yuka Kanno

OSPKYOTO 41: Queer Culture and Life in Japan (4 Units)

Prof. Yuka Kanno gained her Ph.D. in Visual Studies with an emphasis in Feminist Studies from the Department of Women’s Studies, University of California, Irvine. She is Associate Professor in the Graduate School of Global Studies at Doshisha University and a founding member of Feminist, Gender, and Sexuality Studies (FGSS) Research Center, Doshisha University. Her research interests include queer theory and criticism, gender and sexuality studies, visual culture, feminist film studies and Japanese cinema. Her current projects focus on queer film festivals and transnational queer girls’ cinema and culture. The author of numerous publications on queer and film theory, Prof. Kanno has also organized several queer themed-film screenings in Japan. She has taught in the Stanford Program in Kyoto since 2017.

Yuko Kawahara

Yuko Kawahara, BOSP Kyoto

Japanese Language, Culture and Communication (5 Units)

Yuko Kawahara received her MA in Japanese from the University of Wisconsin-Madison. She has taught Japanese at Amherst College, Mount Holyoke College, Akita International University, and Kansai Gaidai University. She joined the faculty of the Stanford Program in Kyoto in 2008, and became the program’s Head Language Instructor in 2014.


Catherine Ludvik

Catherine Ludvik, BOSP Kyoto

OSPKYOTO 13: Contemporary Religion in Japan's Ancient Capital: Sustaining and Recasting Tradition (3-4 Units)

OSPKYOTO 58: A Journey into the Buddhist Visual Arts of Japan (4 Units)

OSPKYOTO 42: Gardens of Kyoto: Spaces of Aesthetic and Spiritual Contemplation (3 Units)

Prof. Catherine Ludvik obtained a Ph.D. at the University of Toronto in the Centre for the Study of Religion and teaches Japanese religion, visual arts, culture and history at Doshisha University and Kyoto Sangyo University. Spanning Indian and Japanese religions and their visual arts, her research interests focus on the metamorphoses of originally Indian deities in texts, images and rituals of Japan, as well as on ascetic practices and pilgrimage. Prof. Ludvik is the author of Recontextualizing the Praises of a Goddess (2006) and Sarasvati, Riverine Goddess of Knowledge (2007). She is currently researching the goddess Uga-Benzaiten and the Shikoku Henro pilgrimage. She has taught courses on Japanese religion, visual arts and gardens on the Stanford Program in Kyoto since 2001.

Daiko Matsuyama

Daiko Matsuyama, BOSP Kyoto

OSPKYOTO 19: Zazen: A Practicum in Zen Meditation (1 Unit)

Born in 1978 in Kyoto, Rev. Matsuyama obtained his Master’s degree in Agriculture and Life Sciences from the University of Tokyo. After three and half years of training at Heirin-ji Temple, Niiza, he became the deputy priest of Taizoin Temple in 2007. He has been a member of Kyoto’s Ambassadors for Tourism since 2011, and was listed as one of “The Top 100 People of the New Generation 2016” in Nikkei Business.  Matsuyama was appointed as a fellow of US-Japan Leadership Program from 2016. In 2017, he became a visiting professor at Kyoto University of Art and Design. As a young representative of the Zen Sect in Japan, Matsuyama has interacted with many religious leaders, such as having an audience with the Roman Catholic Pope and conversing with the 14th Dalai Lama. He also participated in the Davos World Economic Forum in 2014, and continues to work actively beyond national and religious borders. He is the author of the book, Forget What’s Important First: 30 Zen Teachings for the Wavering Soul (Sekai Bunka Publishing, 2014), Strolling around Zen Gardens in Kyoto (PHP Publishing, 2016), and Introduction of ZEN for workers (Kodansya Publishing, 2016). He received The Award of Commissioner for Cultural Affairs and Shigemitsu Award from Japan society in Boston in 2019. He has taught on the Stanford Kyoto Program since 2018.

Naoyuki Ogino

Naoyuki Ogino

OSPKYOTO 39: Capturing Concepts: A Photographic Exploration of the Origins of Kanji (2 Units)

Naoyuki Ogino grew up in Tokyo and in Mexico, where he lived as a child. He graduated with a degree in physics from Nagoya University, but wanted to pursue his dream of becoming a photographer while working for Japan’s largest advertising agency. In 2006 he left the agency to focus full-time on his career as an independent photographer. In the same year, he received the Grand Prix of the Japan Photographer’s Union. Since 1998 he has held several solo exhibitions in Mexico, the U.S., Taiwan and other countries. In 2008, Ogino published the photo book ‘A Geisha’s Journey: My Life as a Kyoto Apprentice’, in which a rare glimpse into the life of a modern-day geisha is given through intimate photographs of Komomo, a geiko in training. In 2010/2011 Ogino created the series ‘Womb of the Myth’ on the demise of movie studios in Japan. In 2014 he was appointed Principal Photographer of the Kyoto International Photographic Festival, one of the fastest growing and most groundbreaking photographic festivals in Japan. Ogino's latest series 'Shimmer of Vanir' was created during his residency in Norway in 2017 and pays tribute to the Nordic god 'Vanir', with ephemeral images befitting the Scandinavian atmosphere created with his handmade lens. He has taught on the Stanford Kyoto Program since 2017.

Yoshitaka Terada

Yoshitaka Terada, BOSP Kyoto

OSPKYOTO 43: Music and Marginalized Communities in Japan (3 Units)

Terada Yoshitaka is Professor Emeritus at the National Museum of Ethnology (Minpaku) and the Graduate University of Advanced Studies (Sokendai) in Japan, and holds an MA and a PhD in ethnomusicology from the University of Washington. He also served as a visiting professor at the University of Pittsburgh’s Semester-at-Sea program (1995), New York University (2002), Universität Bonn (2004) and the University of Illinois, Urbana-Champaign (2007). Terada’s research areas include India, Philippines, Japan and Asian America. He is particularly interested in the roles of performing arts for minority individuals and communities in maintaining their identity and negotiating with the majority/mainstream culture. He authored and edited several volumes including Music and Society in South Asia: Perspectives from Japan (2008), Ethnomusicology and Audiovisual Communication (2016), Searching South Indian Society through Music: Being a Disciple and Researcher (2016), Double Reeds along the Great Silk Road (2019), and Music and Marginalisation: Beyond the Minority-Majority Binary (2021). For the past twenty years, Terada has also experimented on filmmaking methods and produced more than 30 films on musical traditions from diverse locations, including those on three marginalized communities in Japan. He is currently exploring how audiovisual documentation can help safeguard the performing arts in danger. Terada is the recipient of several awards, including the Jaap Kunst Prize from the Society for Ethnomusicology (USA, 2000) and the Best Long-Film Award at the International Folk Music Film Festival (Nepal, 2013). He has taught on the BOSP Kyoto Program since 2022.